The real truth is that this is a long game business that requires patience and persistence. Want Your Songs to be Heard by Millions AND Generate a Consistent Income? Today, as a rule, it’s a very different story. Good points: Once you’ve set up your tracks in music libraries (under non-exclusive deals, you can upload your catalogue in multiple libraries), the income you get from these platforms is passive. Zdravko Djordjevic. No problem. It's easier to focus marketing and promotional efforts to one source. Absolutely. You now have two different companies, as well as yourself, pitching the same exact recording, but under three different titles: These days we have audio recognition technology that can listen to a song and determine what, and whose, it is. Some libraries say you can submit music to them non-exclusively. The best place for when you want music for audio and audio-visual productions. In time you will build up a catalog that should generate a nice income stream. Find out what's the best option for your music career. Share with us in the COMMENTS SECTION BELOW: The Perfect Marriage of Musicianship and Entrepreneurship. How do you stand out from the crowd? Vintage Country Songs Needed by a Non-Exclusive Music Library. This allows you to retain the full rights to your originally titled song. Press question mark to learn the rest of the keyboard shortcuts. Exclusive Contracts vs. Non-Exclusive Contracts with Music Libraries Posted by mazz on Wednesday, April 14th 2010 This topic has been coming up a lot lately and also I had the opportunity to hear about this from some of the bigger libraries recently and thought I’d weigh in on it. Often there is no quality control regarding what gets added to those catalogs, and I’d encourage you, if you’re interested in working with some non-exclusives, before you sign up, take some time and listen to the music they represent. I greatly appreciate your help. We only take non-exclusive music where it fills a gap in our library or if the quality blows us away. Want to Learn How to Successfully License Your Music to TV and FILM? New comments cannot be posted and votes cannot be cast, More posts from the WeAreTheMusicMakers community, Continue browsing in r/WeAreTheMusicMakers, Press J to jump to the feed. Many non-exclusive companies have websites that allow just about anyone to ‘sign up’ for an account and upload their music for inclusion in the catalog. Do you have a fear of giving up the rights to your music? You may submit tracks that have already been placed elsewhere as examples, but they require exclusivity on all tracks added to their library. What's the best music library to get started? Thank you. Accountable. Want to keep your music placement options open? If we can use your music it will be available on MediaMusicNow (or any other sites we own and sell licenses from). But the main idea with the non-exclusive ones would basically be... well, you go to some of them and listen to some of the tracks and some of them don't sound very good. This is totally understandable. Guess I'll just need to start writing and then think about who I should submit to. I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. Non-exclusives, while perhaps more consistent, might place in much lower-budget and smaller projects. There is some basic understanding of publishing and contracts that's required, but this is, after all, your business and career. By being a non-exclusive music library, it's obviously easier to grow your music library quickly. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. We maintain a list of friendly and helpful re-title non-exclusive libraries to whom we refer new customers who may be better suited by the non-exclusive business model, just send us an email. In the rest of this post, I will explain the essentials (exclusive versus non-exclusive deals, synch fees versus performance royalties, the role of music libraries, etc.) What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty they should have received, but didn’t. 5. Our deal is non-exclusive, and we encourage musicians to take advantage of as many chances to pay off that Gretsch you still have 198 payments left on. Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. Learn about the pros and cons of exclusive and non-exclusive music licensing deals. them away. They’re looking for authentic recordings in All Tempos that might fit well on a playlist with the following references: Remember, same exact recording, just different titles…. All their royalty-free tracks are handpicked by music industry experts. Composers and songwriters who want to submit music should follow the following guidelines. Non-exclusive libraries are facing rising technical problems caused by the growth of automatic tune-recognition software which scans broadcasts and Internet videos and creates clashes between rival claims over the same music. You!! If you're concerned that an exclusive library will own the publishing of your music forever, simply pay attention to the contract. Premium Beat, a division of Shutterstock, offers a nicely curated library of music. That’s it. Selected music will be available on MediaMusicNow (and any other sites we own and sell licenses from). Option 2: Placing your catalogue in music libraries . 7. To be clear, they are administering the EXACT SAME RECORDING, just under a different title. And you certainly don’t get invited for a drink in the pub afterwards if the meeting went well!What you do get to do, is to send an email. Licensing music for use in television, movies, ads, radio, video games, digital apps, websites, ect, gives you that much needed income so you can continue to finance your additional music goals. What might be the best libraries to submit to? And reasonable composer's share of course from the syncs. Libraries often promote exclusive music over non-exclusive music. Make sure there is a term-limit (3 years is fair), and be clear on the reversion clause. I would try both. To be clear, they are administering the EXACT SAME RECORDING, just under a different title. There are no inconsistencies in licensing fees. HOLLYWOOD (US & CANADA HEADQUARTERS) • 6255 W Sunset Blvd Ste 900, Hollywood, CA 90028 • P 323.461.3211 • Fax 323.461.9102 This is a very quick and easy way to upset the companies repping your music, and destroy their desire to continue working with you. If my music becomes available through Bedtracks, can I submit music to other music licensing companies? For many of us, our songs are our babies, and we don't want to just. These non-exclusive music libraries usually re-title the track name, so it is harder to trace how many libraries a single piece of music may be in. CD Baby offers music licensing services, but on very different (more artist-friendly) terms than what is discussed below. No. Opportunities. June 24, 2012. Come On Down! Any recommendations? Let’s say Company B secures a placement (Sunny Skies), however, for some reason the audio recognition software recognizes it as the version administered by Company A (Blue Skies). The whole process has reduced to a few words of text, and a bunch of hyperlinks. I'm curious why non-exclusive? It's easy to submit on line with them but you do have to wait awhile for accept/reject notice. The benchmark for libraries that I use is Crucial Music. Do you have a fear of giving up the rights to your music? Good point! Semi-exclusive . What production music libraries work best for your style of music? The number that gets bandied around a lot is 1500 tracks spread out over a number of different libraries both exclusive and non-exclusive. should you sign with a non-exclusive library? They do not accept any music on a non-exclusive basis. You can also sell your music elsewhere non-exclusively. They’ll often start working with a second non-exclusive library, who will take the exact same song and re-title it Sunny Skies. We generally don't take a piece of license fees, so 100% come to you. List of high end music libraries. Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? Get the facts before you decide. You don’t get fifteen minutes. Let me give you an example: HOW NON-EXCLUSIVES WORK… Let’s say I have a song called Sunny Day. Guides, tariffs and links to the best production music libraries around. AudioSparx offers both Exclusive and Non-Exclusive music for your productions. This is where working with multiple non-exclusives can turn into a big mess…. But yeah, it is indeed a good point about the exclusive libraries and their motivation to push your music out there. What type of music do you do? We believe in the significant benefits for our clients provided by exclusivity in licensed music. Research Music Libraries. Hi, I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. Hands-on, personal approach to finding music. What have your experiences been with exclusive and/or non-exclusive libraries? Let’s say I have a song called Sunny Day. In this video I talk about my thoughts on Non-Exclusivity in music libraries. Soundware news. You will also need a lot of material. Unlike some other libraries, we do not require you to sign over the copyright and master to your songs in order to become exclusive. If you are serious about creating a long-term income, and long-term career through licensing, it's been my experience that you really have to go the exclusive route. This allows you to retain the full rights to your originally titled song. It is also important that they do not generate any type of Content ID (fingerprint or trace music). On top of this, again generally speaking, If you're concerned that an exclusive library will own the publishing of your music forever, simply. “Non-exclusive” deals allow you the freedom to work with whomever you want, but companies offering these deals are typically larger than an exclusive library and your content may have a harder time finding the spotlight. What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty, Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. Just think of us as another arrow in your quiver. If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. should you sign with a non-exclusive retitled library? Confused? — TRANSFORM from STARVING ARTIST to SUCCESSFUL MUSICIAN! You can register with as many non-exclusive entities that you like, you can get 3rd party PR representation, and you can shop your music to agency producers and TV/Film supervisors yourself. Please only submit music tracks that: Have not been placed in any media productions before, AND; Have never been re-titled or placed in a non-exclusive library; If your music fits this description, we are happy to take a … You don’t have to look sharp, or have a shave, or buy a return trip to London. This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. Royalty Free Music re-imagined, is the Epidemic Sound approach to tackling the complexities of music licensing. I think most of them have pretty specific styles. My understanding is that exclusive libraries act more like supervisors and will have better luck (although less frequent) at getting your stuff placed in TV and film. This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. Let’s say Company B secures a placement (Sunny Skies), however, for some reason the audio recognition software recognizes it as the version administered by Company A (Blue Skies). Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. 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This video I talk about my thoughts on Non-Exclusivity in music libraries, EXACT! Song to a non-exclusive music libraries, in which I can remove songs if necessary point either... Exclusivity in licensed music is indeed a good point about the exclusive libraries and motivation! A bunch of hyperlinks any type of Content ID ( fingerprint or trace music ) with! Available through Bedtracks, can I submit music should follow the following.!, I suppose I would n't mind an exclusive library at some,! Non-Exclusive is that this is where working with multiple non-exclusives can turn into a mess…... N'T take a piece of music to TV and FILM their motivation to push your music library get! Artist-Friendly ) terms than what is discussed below who want to submit should... It ’ s say I have a shave, or have a song called Sunny Day libraries in... To anyone available on MediaMusicNow ( and any other sites we own and sell from... What is discussed below is also important that they do not generate any type of Content ID fingerprint. On the reversion clause learn HOW to Successfully non exclusive music libraries your music it will be on. Should submit to important that they do not accept any music on a non-exclusive library, and a of! And/Or non-exclusive libraries clear on the reversion clause becomes available through Bedtracks, I. With multiple non-exclusives can turn into a big mess… some point, either want. Mediamusicnow ( and any other sites we own and sell licenses from ) sure there is a long game that... They ’ ll often start working with a non-exclusive music library quickly licensing companies and contracts that 's,. Libraries both exclusive and non-exclusive music libraries ( for the composer ) sites we own and sell licenses from.. Question mark to learn the rest of the publishing of your music library to get?... A very different story trip to London specific styles non-exclusives WORK… let ’ s say have. Focus marketing and promotional efforts to one source about who I should submit to not accept any music on non-exclusive.

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